I once saw a video of a person touching a grounded sausage to the metallic structure of an AM radio tower, the transmission was audible as the sausage was being zapped. If there's a merely conductible thing grounded near the tower, I guess it'll sort of "coil whine" (a well-known phenomenon when electrical components physically vibrate due to the passage of current), converting to sound whatever it's being transmitted at the moment. This includes the tower structure itself, if the electrical grounding isn't properly done or if there's some grounding leak. Otherwise, a grounded thing touching the tower would suffice to convert the transmission into sound, if those radio-telescopes use AM modulation (I'd guess they do, because AM modulation is known for reaching longer distances than FM).
AM doesn't reach further than FM, it's just that historically we've been using AM at lower frequencies, and these travel further. You could transmit with FM just as well on these frequencies, and get the same range.
These radio telescopes don't transmit anything at all, they listen to radio waves coming from the cosmos. Much like a normal telescope doesn't transmit light.
At first it goes like synth and then it is dudududu dudududu dudududu dudududu dudududu dududuuddududuuud shiuush dududududududuuuuddudddududududddududdudududduududududu
Pump Up the Jam is an anagram of 'Jump Up the Pump'.
This song was played five times in a row at the funeral of director Stanley Kubrick.
Techtronic's home planet, Earth, consists of 70% water.
If you isolate the individual drumbeats from this song and arrange them in a circle, it unlocks a cheat mode that allows you to pass through solid surfaces at will.
Let S be an endless string which is a concatenation of every binary counting in succession, starting from zero all the way to infinity (without left zero-padding):
S = 01101110010111011110001001101010111100110111101111...
(from concatenating 0, 1, 10, 11, 100, 101, 110, 111, 1000, 1001, and so far)
Let S' be a set of every sequential group of octets (8 bits) from string S, which can be represented as a base-10 number (between 0 and 255), like so:
I'd create an audio wave file whose samples are each octet from S'_10 as 8-bit audio samples, using a really low sampling rate (such as 8000 Hz or even 4000 Hz).
That sound, that particular sound, is what I'd transmit to the cosmos: the binary counting, something with a detectable pattern (although it'd be not so easily recognizable, but something that one could readily distinguish from randomness noise).
Bullug Gegbug Ibgabiug Gixcure Dagabciea Fuic by Keygen Church because the universe deserves to hear the gospel. Praise the code. https://m.youtube.com/watch?v=iJtVDEx2HSk
A cover of Black Sabbath's "Supernaut", by Al Jourgensen of Ministry's side-project 1000 Homo DJs with vocals by Nine Inch Nails vocalist Trent Reznor.
I'm really surprised nobody else posted this. My first thought was Goldeneye 64's snow level soundtrack. 😮 Like I could hear it just looking at this image lol.
Goldeneye Surface level PTSD. Enemies beyond your sight horizon due to fog/snow, no map overlay for relative positioning, memorization was the only way to not get lost.
"In 2008, RT-70 was used to beam 501 messages at the exoplanet Gliese 581c, in hopes of making contact with extraterrestrial intelligence. The messages should arrive in 2029." - https://en.wikipedia.org/wiki/RT-70?wprov=sfla1
It would be funny to broadcast corny 80s dance music to aliens, ngl. Hopefully they don't have that Mars Attack physiology that makes their heads explode to jams.
Thanks for the wiki link, OP. You sent me down a pleasing rabbit hole reading about the large radiotelescopes built by the USSR.
And also, completely tangentially, I have nostalgia for playing the very first Destiny game because the environments were designed with those early USSR Deep Space program aesthetics.
Id freak out about having to make a choice and then just blurt out souvlaki space station because it seems like a safe bet of sm i like at high volumes.