When I was a kid I absolutely loved movies with this format. It was like I was learning the story along with the characters on screen, and it just made it feel more real. Like the story was so old and with enough truth to it that they made a movie just about people learning about said story. It let you feel like the caring, kind old narrator was your adoptive grandpa, and he was revealing to you some ancient, fantastical part of our history. One that you could imagine really happened, even if the story had some exaggerations. Those opening sequences where they show a big old, leather bound book opening up to the first chapter (e.g. The Sword in the Stone)? HOOK IT TO MY VEINS
I'm surprised no one has mentioned the fake old movie that plays in Home Alone. "I'm gonna give you till the count of 10 to get your ugly yeller no good keester off my property before I pump your guts full of lead! One... Two... Ten!" 🔫🔫🔫🔫🔫
The "adult" movie Kevin watches in Home Alone. Apparently the main dude who was supposed to be in those didn't show up so they just had some janitor or tech fill in and he went full ham on that shit and made it something to remember.
There's also the McBane movie in The Simpsons that shows up in multiple episodes and if you connected them all together they actually make a coherent story line (it's just riffing off Lethal Weapon anyway).
Weirdly (or not, perhaps) MILF Island was turned into a real show (sort of) not once but twice. On The Cougar a 40-year-old woman was seeking a partner among male contestants who were all in their 20s. On the rather more disturbing MILF Manor a group of women between the ages of 40-60 stay in a villa seeking to pair up with a pool of younger bachelors, which turns out to be made entirely of the women’s sons. Wikipedia says in season 2 the ex-husbands were also added to the dating pool so the sons had to compete against their dads for the divorced moms.
In-universe, creating that show was a genius move, if anything legit leaked they can just say it's some fan fiction from the show and not from the real Stargate program.
This was so impactful that I only recently realized the title of the actual TV show wasn't "Tool Time". People talked about a mysterious show called "Home Improvement" and I didn't even suspect it was the one I watched with my parents all those years ago
Interdimensional Cable from Rick and Morty is outrageous.
GTA's radio stations (VCPR was the best) and TV shows are often really funny. The Pißwasser beer commercial from IV always gets me.
I like that someone figured out half assing things can be just as funny or even funnier than putting in the effort to make it look more professional.
Now I'm curious about who first bottled that lightning.
Maybe the makers of Aqua Teen Hunger Force? Half the characters in there seemed like they were making it up as they went and is the earliest one I can think of where that was a common theme.
Home Movies came later but is the earliest where that's applied to media produced "in-universe" that I can think of.
Home Improvement was earlier than both and Tim was often out of his league on his show, but that was more of a "ill prepared but at least trying to be professional" act than "making it up as we go and not even trying to hide it".
As far as other media within Rick & Morty, the Second Life-like "Roy" is something that I wish could exist. Immersive gameplay, accelerated time, tangible experiences, and endless possibilities.
And assuming that human beings work on it imagine what skills and abilities you could acquire.
It's kind of like the piccolo thing in Star Trek the next generation with picard. Like imagine playing a video game and then coming home and being a rockstar guitarist on par with Slash, or getting 50 years worth of meditation and monk training in before work on Monday on top of a second lifetime full of martial arts training.
Something like that would be so revolutionary it would dwarf any kind of nonlethal AI apocalypse in comparison.
The main story has really picked up since Dan Stevens took over the voice of Korvo. IMO, it was a huge improvement. Also, the wall story isn’t as compelling as it used to be.
The lore books in The Elder Scrolls series, hands-down.
There is an entire universe of conflicting knowledge, personal bias, and unreliable narrators that leave Tamriel's history feeling very real, and very open to interpretation. The fun of it is piecing together the truth somewhere in the middle. But I'll die on the hill that the Arcturian Heresy is absolute horseshit written by a madman, and comparable to the scribbles of a paranoid schizophrenic on an anti-vax forum. Anyone who references that volume in regards to Tiber Septim and the forming of the empire is an impressionable dweeb.
I haven't finished the book, but I have to give it to the "Navidson record" in "House of leaves".
House of leaves is a book about a guy who finds a manuscript about a movie that doesn't exist. So there are multiple layers on the narrative, from near to far you have:
The editor who's editing the book
The writer of the book (Johnny) who tells his story and what he finds in the manuscript
The person who wrote the manuscript (Zampano) and his views on the movie
The documentary "The Navidson record" which the manuscript is describing. Filmed by Navidson (who's, as far as Johnny can tell, a fictional character in a fictional movie that never existed)
The reason why I have to give it to that particular piece of media within media is that everyone else in the book is a pain in the ass that feels that you have to drag yourself to in order to get to the next chapter of the Navidson record. So in a way it's a fictional media within a fictional media that's better than the fictional media it belongs to.
And in case you haven't heard of house of leaves, I'll leave you with a page from the book:
The book is brilliant, even if it's difficult to read and follow. The satire of art criticism is just so on point.
...And it's hard to know if the Navidson record and house never really existed or not (in the context of the book) because of the way Johnny is slowly unraveling. It's got strong elements of cosmic horror to it, along with razor-sharp satire, and the delineation in writings styles between Johnny's personal narrative, Zampano, and the various journal articles are written really sells the entire piece.
This is not exactly what you're asking for (media inside media), but it's really close in spirit (nested narratives), and I really like it: a book written in Portuguese in the XIX century, called Noite na Taverna (Night in the Tavern).
The book has an overarching story of friends telling each other stories in a tavern, over booze; with all those nested stories being about love, despair, and death (it has a strong gothic vibe).
And, as each character tells the others a story, there's always that fishy smell that the story might be actually bullshit; and other characters do raise some doubts about its in-universe veracity (like Bertram does to Solfieri). And you, as the reader, do the same - but in no moment you question the veracity of the overarching story, and you feel like you're inside the tavern alongside the drunkards.
So it's a lot like the author is toying with your suspension of disbelief - redirecting it from the overarching story to the nested stories, and as you doubt the later you get even more immersed into the former.
If I must use an example of media within media, then my choice would be "The Book" within Orwell's 1984. I think that it's a great piece because it shows Orwell's views on politics and society, while still serving narrative and worldbuilding purpose - for Winston it's a material proof of the Inner Party's bullshit, for O'Brien it's a tool of the Inner Party to sniff out dissidence. (Note: 1984 is extremely misrepresented nowadays, I'm aware, but I still like it.)
I've never noticed this usage of the past tense in the appendix about Newspeak - you're right, it does. And it's also written in standard English, so interpreting it as written in a world after Oceania fell is viable.
And following this line of thought we could even interpret the main story as a narrative within another.
Another possibility is that the appendix is not written in-universe, and uses the past tense because it's how people expect storytelling to be written in English, with Orwell speaking directly to the reader instead of Winston Smith.
Most modern adaptations present the stories Odysseus tells while visiting the Phaeacians as if they were the actual plot—but Homer’s audience would have known Odysseus as a notorious liar and trickster and wouldn’t necessarily have regarded his stories as true even within the context of the frame narrative. Homer’s epic focuses as much on the parallel stories of Telemachus and Penelope—I read the underlying story as their struggle to untangle Odysseus from his own web of deceptions and fantasies and bring him back to reality.
I just stated watching The Goes Wrong Show on Amazon. Not sure if I would appreciate more than 1 episode a night, but the first one had me laughing so hard I couldn't breathe.
"The Deb of Night" radio show from Vampire: The Masquerade - Bloodlines is consistently hilarious and a great way to relax between the more horrific parts of the game. Bonus points for one of the regular callers guessing the plot of the game by complete chance and one of the main villains calling in to threaten whoever might be listening.
Sweet Bro and Hella Jeff from Homestuck. Although it actually predates Homestuck and was retroactively converted into media-within-media, does that still count?
Seven on 7 is a series of TV news shorts and commercials from The Boys universe. It's a delightful little parody of Fox News. The whole series is available free on YouTube.
"S." by Doug Dorst is in itself a fake novel, where the "real" story takes place as handwritten notes in the margins to form the complete story, the fake novel itself just a prop. But reading the novel-within-a-novel-that-is-the-novel "Ship of Thesus" by itself is an interesting short surreal read.
We know a little, there's a whole wiki page about it lol just pieces together from Murderbot's descriptions. - but according to the author, it's like "How To Get Away With Murder" but in space.
You're taking a vacation from normalcy. The setting, a weird motel where the bed is stained with mystery, and there's also some mystery floating in the pool. Your key card may not open the exercise room because someone smeared mystery on the lock, but it will open... The Scary Door.
Watched Asteroid City recently for the first time. I thought the play within the movie (and the intertwining back and forth of storylines) was really interesting and entertaining.
The poems of Thomas Zane in the old gods of asgard concert in the book about max Payne in the video game Allen wake in the video game control in the amazing TV series the threshold kids in that song the janitor is singing.
Back in the day, when I fired up Mortal Kombat 3 for the snes, I'd usually end up spending more time in the space invaders game than playing MK itself, especially since the consoles kept the tuning intended to keep the quarters coming for the arcade version (first fight would be easy, next fight would be hard, then easy after continue, so it wasn't just pay to play for the arcade but pay to win).
I'm curious if I'd remember each of the codes required for the secret menus, one of which contained the mini game. Can't remember them offhand but it might be different with an snes controller in my hand.
Actually I think I do remember one of them (or maybe it's the Konami code, or maybe those two are the same code):
Up, up, down, down, left, right, A, B, A
Or maybe it was right then left. Lol I also remember usually needing to try several variations before I'd get each code correct.
Station Eleven from… Station Eleven is probably there only one that’s been as interesting to me as the story itself, I guess because it’s such a big part of the story and character motivations. The book and show are both good in their own ways, but I particularly like the passage repeated throughout the show:
I remember damage, then escape
Then adrift in a stranger’s galaxy for a long time
Inside the 90s anime Martian Successor Nadesico, there is a 70s-era anime called Gekiganger III. Characters various levels of knowledgeable about, or fans of, the show. A single OVA episode was released in addition to the clips from within Nadesico.
This may not fit perfectly into the that category but i think it's cool how Lazarus Jones exists in the media in some capacity in most of the GTA games. One of the best threads of continuity throughout the series.
King's Misery when there are several bits from the novel the writer is making to please his capturer seems like a classic at this point. More classic is the trope of Necronomicon-alikes in lovecraftian stories. But I prefer The Book of Mindfulness that a character from the Black Book sitcom accidentially swallowed and became a saint, even god-like figure.
As The Stomach Turns. It was a classic parody of soap operas on The Carol Burnett show, and as someone from that era i can vouch that it was a pretty spot on parody, at least from what i saw on tv when staying home sick from school.
Good Morning Glipglorp! From the Androids and Aliens podcast by the Glass Cannon Network. It was a random bit of world-building that the players latched on to and ran with and it turned into a whole episode.