John Carpenter's 1982 masterpiece The Thing. The themes of paranoia and isolation are so perfectly explored; it launched the career of Keith David, who is just a treasure; the performances are all immaculate; and those effects. My god, the effects.
I think it's intentionally ambiguous. For me, the point is the paranoia and distrust. I might be wrong, of course, but my interpretation is that we are supposed to leave the experience with questions.
This is one of my favorites. Also Shawshank Redemption and The Birdcage. Although I learned recently that a lot of humor in The Birdcage goes over the heads of younger people.
Edit: Sharing this here in case you haven't seen it...
It has a really messy plot with fast paced dialogue and subtle details that you can miss, I also remember my first time seeing it and being like "wtf is going on?"
As I said, the second time I saw it years later, I already knew the general direction of the movie so I could focus on the single characters and let me tell you: there's a reason why there are a bunch of people quoting it all the time, every line of the script is like a meme, everything is so iconic
A friend of mine mentioned 'Contact' was the perfect film. I thought about it for some time and found that I agree. The plot, casting, filmography, and score are all top notch.
Beyond favorite there are quite a few films I consider 'done' we don't need sequels or remakes. Most recently the original 'Willy Wonka' came to mind.
I like it, but it's also a movie where world leaders act in the most unrealistically stupid way possible. It's where emotions take more precedence than any actual pretense of diplomacy. Humans being gaslit into allies by future-seeing aliens is also a bit too deterministic to be seen as any kind of moral victory either. I dunno, not a movie for me
And also an insightful YouTube comment(!) someone made in response describing their interpretation:
spoiler
"This is one of the most thoughtful and insightful reviews on deeper film meanings I think I've ever seen. In keeping with the rebirth symbolism, I would offer the following possibilities.
The transport pod symbolizes more of a womb, rather than a gas chamber.
The chair may not be an electric chair but rather a means for Ellie to assume a modified fetal position while in the capsule. This would mimic the position of a baby of in a womb prior to its own birth.
The wires plugged into Ellie represent an umbilical cord to sustain her, rather than a means to kill her.
The periodic updates given by the mission control staff as to the status of the machine (10%, 20%, 30%, etc.) mirror the increasing dilation of women in labor (1 cm dilated, 2cm dilated, 3cm dilated, etc.).
The wormhole sequence mirrors the new life traveling through a birth canal.
The capsule takes on a liquid form to symbolizes the protective amniotic fluid to keep the new life safe.
After Ellie’s “birth”, the first person she sees is her father.
This rebirth scene is enhanced by considering Ellie's mother died from complications of childbirth when Ellie was born. This backstory enhances Ellie's natural reluctance to be reborn as her initial birth killed her mother, and permanently altered her life.
There’s undeniably imagery of execution and rebirth simultaneously occurring within the same frames! The filmmakers did an outstanding of capturing some very compelling storytelling while inserting remarkable symbolism."
It's a philosophical movie about breaking yourself apart and rebuilding yourself consciously.
Not hard to understand why so many people don't get that part of it. It's a deeply introspective movie, not just about sweaty guys fighting each other.
Snatch. Such an absolutely quotable movie with interesting characters, and the great mix of storylines that Guy Ritchie films are know for. The dialogue is just phenomenal!
Great story. Excellent pacing. Fantastic characters. Awesome music. I'm running out of adjectives, so I'll add that I really liked: dialog, acting, special effects, lore, and setting.
I watched the Dollars Trilogy in order and I love all those movies. A Fistful of Dollars feels very low budget at certain points, including one of the worst day for night edits I've ever seen, but overall it's a damn good 9/10 Yojimbo ripoff.
For a Few Dollars More is straigt up one of the best movies I have ever seen, an easy 10/10. It's a full blown high budget movie that just shocked me when I saw it for the first time, I was amazed how good it was, and it confused me too since EVERYONE said that The Good, The Bad and The Ugly is the best of the bunch, like how could something be better than this???
Well, how is it...? When I first saw The Good, The Bad and The Ugly I almost went catatonic. If For a Few Dollars More is 10/10 then this movie is 11/10, or 12/10 or even 13/10. EVERYTHING about this movie is amazing, if the previous one was made with an A24 budget then this one was made with the same production level as fucking Oppenheimer. Everything is bigger, the scale of the movie is breathtaking, the Morricone music is the best of all time, the characters are amazing, the action is amazing, the climax of the movie is the best ever put on screen, I just fucking love this movie so SO fucking much.
So yeah... watch The Good, The Bad and The Ugly if you haven't.
(Shout out to Duck, You Sucker. A movie that also blew my socks off, made by the same director.)
The Dollars Trilogy is a great recommendation, and I think your analysis is spot on! The cinematography in the second and third installments is incredible.
I like to follow up with Tarantino's Hateful Eight (my personal favorite film to recommend, especially as a Christmas movie in place of Die Hard) to see how hugely influential the Trilogy was.
I'm always telling people to REALLY watch Napoleon Dynamite. I think it got quoted and proto-memed to death when it came out, leading to most people having an unfair idea in their head of what the movie is.
The soundtrack is phenomenal. The acting is (mostly) way better than you may have thought it was. Jon Gries (Uncle Rico) was nominated for an Independent Spirit award and he absolutely deserved that nomination. The cinematography is excellent, especially knowing how much it cost to make + how much experience the crew had. Though it's not explicitly said, I think it's ultimately a story about neurodivergent people finding friendship, solidarity, and happiness in a world not made for them.
Also, the scene where Uncle Rico throws a steak at Napoleon is still funny.
Has to be The Matrix. Was 13 or 14 at the time of release, marketing around it was very mysterious. Obviously my childmind was blown during opening scene!
For action movie fans, I'll always recommend The Raid: Redemption. It's a good gateway to martial arts movies, which can lead to a whole slew of other more esoteric recommendations
yea it's amazing. Seconding that. Curious what those other recommendations would be? because aside from some old Jackie Chan flicks and a couple others, I'm a rookie in the martial arts flicks biz
I don't think there's a movie that loves food more, or pays more respect to food. It's an actual masterpiece, from every strand of hair rendered on Remy's body, to each note played in the score. I will never get tired of watching this movie.
I like it too, but goddamn do I hate movies that boil down an entire culture to a single city. There's no greater French Culture than Paris! or There's nothing more British than London! or New York is all that exists for the arts!
I like the part about rats that cook. I find the love story somewhat creepy.
I've seen it once, and I seem to be practically psychologically unable to cry, so rather than crying I walked around feeling like I was carrying a hundred pound millstone around my neck for about 4 days.
It's a beautiful movie with every last single one of the studio Ghibli traits that you have come to know and love.
But it's not a cartoon for little kids. I highly recommend that you watch it at least once if you haven't, just don't let your kids watch it until they are adults.
I just recently saw Triangle. Definitely an under-appreciated movie. That one shot after she chases the girl to the top of the ship is S tier horror. Great ending too.
I watched it last night after Helix's comment piqued my curiosity. I'd previously never heard of it before, and it's one of those movies where it's even better on the second viewing. Enjoyed the mystery and the eeriness! Was not expecting that ending at all
Upgrade was fantastic! So glad I caught that under the radar. Such a great action sci-fi with a dystopian flavour. "Black Mirror" meets "John Wick". And what an ending.
I haven't seen Vivarium, although it looked like it would be good. My wife loved it.
I enjoyed The Color Out of Space for what it was; Dagon was another pretty solid Lovecraft adaptation. Oh, and for older horror, there's The Re-Animator, and From Beyond. I think a lot of Lovecraft doesn't translate to film very well; cosmic horror as a fiction genre just isn't quite the same as cosmic horror in film. Adaptations of books and stories to screen always have to make compromises that can cost some of the punch, and showing something--like the screaming bear in Annihilation--can give you more punch than trying to set the same scene up in a book. Neither is 'better' than the other, they're just different art forms.
Was just about to comment this. Paddy chafeyesky is a really unique but complicated figure, and how they let him, john sayles, and a few others get away with socialist themes in movies, I'll never know.
It's definitely not for everyone, but it hits all the right buttons in my moody theatre kid heart, and "I Didn't Know I'd Love You So Much" will always get the tears going for me.
And even if someone bounces off it, I've gotten a terrifying number of them hooked on Zydrate Anatomy. Might be the only song they remember from the whole thing, but it stays stuck.
Just watched this for the first time a month or two ago on the Criterion Collection Blu Ray. Amazing film. Killer soundtrack by Neil Young that is clearly just him riffing while watching the movie.
If anyone has access to them, I highly recommend the Criterion extra features. Very cool long form interview with Gary Farmer, and the audio bit where Jarmusch answers letters written in by fans (including one from Bill Hader asking him if he can be in one of his films) is just a joy to listen to. I could listen to that man speak about filmmaking for hours and not get bored.
If you're 40 to 60 years old, definitely Hot Tub Time Machine.
It'd still be a great movie if you're out of that age zone, but if you were around to remember the 80's it just hits that much better. It's a fantastic comedy from beginning to end.
My favorite movie is probably Brazil (1985).
It's a dystopian movie, but the population is suppressed by absurd amounts a bureaucracy (also the state surveiling and killing it's people). You need to fill out a form to fill out a form, and every screen is tiny, but magnified by a lens to be small instead.
But what I really love about it is the the "terrorist" Archibald Tuttle (who, very much, is not the protagonist); a repair man, who risks execution by the state, zip lining around the city fixing things like the protagonist's air condition.
I think we should all strive to be more like Tuttle in our daily lives.
I remember really not wanting to see it when it came out in theaters. I thought it looked boring and another dumb sports movie.
My God it was so much more than that. I loved it immediately. I choked up a few times through the story, and I might have cheered a bit at the end. The trailers really did not do that movie justice.
I commented before I saw your comment but I said the same movie. It's not my favorite movie ever, but it's up there and most people haven't seen it, so I recommend it a lot. Nick Nolte is phenomenal in it. All of the actors are actually.
I don't "love" to recommend anything to anyone, but I's say, 2001 is by far my most favorite movie. It's in perfect balance between science, fiction, and philosophy and was waaay ahead of it's time. And even nowadays it looks spectacularly good and has a timeless storyline.
I don't usually recommend movies in situations where the solution space isn't already limited significantly by the context, but 2001 is the one I thought of first upon reading the title, so I suppose there's at least two of us!
If you like Christopher Nolan and playing with time, you must watch Memento.
This awesome movie is played backwards, so like the main character who lost short-term memory we don't know what just happened.
Mostly because I like to recommend things that are likely new to whoever I’m recommending to, and my experience has been that this isn’t a very widely appreciated or even known flick. And I also happen to love it personally, so it just became my go-to recommendation.
I do preface the recommendation with a “After watching it yearly for over a decade, I still don’t really really get it”. Its great.
I don't know about favorite of all time, but I recently watched "The Wind That Shakes the Barley" and it was incredible. An instant classic in my mind and I'd somehow never heard of it. It's about Ireland in the 1920s and stars Cillian Murphy and Liam Cunningham (most people will know him as Davos from Game of Thrones). Beautifully shot and acted.
It's basically two Disney stories stitched into one feature film, released all the way back in 1947, featuring Jiminy Cricket as a major character. I think it's also the last Disney production where Mickey Mouse is voiced by Walt Disney himself (the info is according to the special features of my DVD copy).
Not a recommendation per se, but if you like to ugly cry watch "Dear Evan Hanson"
Evan Hansen is just shy of a rapist. He lied to a family about their dead son/brother and then leveraged that lie to sleep with the sister.
I haven’t seen the movie, but the musical struck me wrong. It was entertaining, and the set design was remarkable, but I couldn’t shake the ick factor.
If someone said they enjoy something, why did you reply about how you think it's bad? It's a story that means a lot to them. I know this is the Internet where the other users don't have feelings, but come on.