I mean, it sucks to see art destroyed, but I guess if you bought it, you can destroy it.
If that upsets you, then maybe we should reconsider allowing art to fall into the hands of wealthy collectors. If it should be preserved for future art lovers and historians, then to quote a great philosopher of our time, "It belongs in a museum."
"To destroy art is much more taboo than to destroy the life of a person" - the artist doesn't like how the world works and he wants to raise awareness. That's what the connection is
The fact this guy owns this art is actually kind of disappointing to me. I thought he was just picking a set of famous art and going rogue with it.
A terrorist, but instead of threatening blood only threatening the loss of priceless cultural artefacts. Going beyond mere property damage and loss of value, but still stopping short of violence.
Still a bold move on his part. More impressive, really. But somehow less exciting.
Considering he could make forgeries (considering he has the perfect reference) and destroy those, increasing the fame of those pieces, and their value should he save the original... Something tells me that there's too much financial incentive not to pull a stunt like that and sell the real paintings later.
Do I have any proof that's what's happening? No. But it's not unrealistic.
In the long run, none of us truly owns anything. We all share the same fate, Assange and this clown included. It’s a shame that this clown is holding western culture hostage to his terrorist demands. If he destroys the works, he’s no different than the Taliban or ISIS destroying pre-Islam archeological discoveries.
Private ownership of things made by people is perfectly reasonable; the person who made the thing should own it and be able to sell or transfer it as desired. So a rock you found isn't made by people, so yeah, but a painting, or a chair, etc, was.
It's land that wasn't made by people where private ownership gets really ridiculous.
¯\_(ツ)_/¯ it's not in the public sphere but your private collection, so you do you chap.
In my opinion privately owned art of a high enough cultural value should either not be allowed to be privately owned, or if it is then it should have to be on permanent loan to free admission public galleries. But that's not the case.
Its an interesting point that some historical art being destroyed is more upsetting than a person dying. Of course if we're going to make this point, why Assange, and not, say, Gazans?
That's a weird reason to give for it, like it's obviously not going to change anything. The Justice system isn't going to be held up by an artist threatening to destroy some paintings (and it could be years before Assange ever dies in prison), it seems like it's being done as performance art. Pretty much like Banksy trying to destroy one of his works right after it was sold at auction, it's being done for the attention/message of the act itself.
If there is more of a taboo around destroying art over human lives, it's not for the sake of the "Art" itself, it's for the sake of the arbitrary, yet quantitative value of money that those works have attached to them, because of how ridiculously inflated the price of artwork is (for money laundering purposes or whatever financial hijinks the wealthy are using artwork for). The historical value to humanity probably plays into it as well, but that's not nearly as big a consideration. Otherwise though, you've got governments like the Taliban which will happily destroy history just as easily as they'll kill people, that's the kind of society we could have where art is given equal weight to human life.
Meanwhile, the people that our society deems worthy of death are people who don't really have much income or wealth to their name. If you looked at the average wealth of individuals on death row or who have been executed in the US, it's likely to be lower than the wealth of average Americans. So Art is valued more than human lives because, quantitatively, some pieces of art are probably worth more than some people would make in a lifetime.
It's a pretty well conceived piece of art, because it's actually saying something and provoking a reaction. And it's fascinating that it's building on and dependent on other masterpieces.
I imagine the point is to raise awareness of Assange's position with people who care about the artworks, in an attempt to inspire others to campaign for his fair treatment.
But like really, would anyone pardon a crime because they were being blackmailed with the destruction of art? Would a parole judge really take that into consideration? Seems more likely to me it would make them less likely to help Assange for fear that it looks like the threat worked, but most likely of all they would just continue based on the law and ignore this guy.
I think a lot of us only roughly remember the details (or didn't follow the later revelations) about Assange. My memory was weak, too, so here is a short refresher (with links!)
Pre 2015
Wikileaks did ethical releases of leaked information (vouched; cleaned of names and details that would expose individuals to danger) and exposed generally diplomatic and military-industrial dirt.
Trump Campaign
Assange and thus Wikileaks sided with the GOP. Wikileaks had a line to Trump's campaign team. They also sat on a trove of DNC E-Mails provided by Russian hackers. Wikileaks timed releases to blot out news that could hurt Trump. In one case, the Trump campaign urgently asked for a leak and got Wikileaks to act within 30 minutes. Wikileaks also refused to publish leaks harming Russia.
From the private chat logs (more in the Business Insider article linekd above), some things Assange said to his, until then, progressive aides
Assange: "We believe it would be much better for GOP to win. Dems+Media+liberals woudl [sic] then form a block to reign in their worst qualities."
Assange: "Russia is absolutely terrified. Kalingrad, Crimea, and its only foreign naval base, Syria are all under threat and are not protected by Russia’s strategic depth. Meanwhile the US hacks the hell out of it"
It looks to me like Assange got suckered in by Russian propaganda rather than sell out intentionally, but that's just my own guess.
Rape Charges
In Sweden, he used his fame to obtain sex from two women, both times trying to refuse condoms. He was creepy and pushy with both. Woman A suspected he manipulated his condom. Woman B woke up in the night to find Assange had climbed on top of her for "second servings" without asking and had penetrated her without a condom.
It gets too messy from there. The US had an interest in Assange's extradition and may have plausibly exerted pressure. The women received threats and hate. Russia fanned the flames under everything to fuel division and turn more Wikileaks supporters against the US.
The rest is history. I don't know where to stand. Assange and Wikileaks were once forces for good. But, in my opinion, he got played, never realized or never admitted to it, and is now just another lackey aiding Russia.
I think we can separate the question of whether he ended up working for Russia from the question of how to treat him fairly. If we would want a certain level of humane treatment for a journalist publishing leaked information, that should apply whether or not we approve of the agenda behind what they're doing, and whether or not we think they're being played.
If these art pieces are in a private collection that can't be enjoyed by everyone already: Was anything of value to culture really lost? 🤔
Would the very fact that destroying them would be meaningful, as well as publicly documented, be more artisticly valuable than keeping the artwork locked up in a vault?
A lot of the art that is currently in museums was once donated by a private collector. Many private collectors will also lend their art to museums for special exhibitions.
Some art in private collections stays private but once it's been destroyed there's no chance it will ever get to the public.
At the current rate it is almost certain that Assange will, eventually, die in prison. Instead the collector should set a timer on it so that the art is destroyed if Assange is not released by a certain date.
This is a thought-provoking stunt. There's a desire to get upset about the deliberate destruction of art, but getting mad about what it would mean if the art was destroyed is directly tied to a world where Julian Assange dies in state custody, and it makes little sense to care about 16 paintings more than a human life, or the implication that we are not free to speak out against authority.
to care about 16 paintings more than a human life, or the implication that we are not free to speak out against authority.
I just wanted to pull this quote, because it's on the nose. With either passive or active participation, the mere suggestion of this act is polarizing and says big things very loudly.
If 45 million spent completely on getting attention won’t get much attention, how much would he need? And I mean he could still do that. He could change his mind and decide to sell it instead of burning it having already received a heap of free attention
As long as the US has the Hague invasion act along with some of the most inhumane sentences and prisons no country should extradite a non US citizen there. I'm pretty sure the only crime he committed was in Sweden anyways so they should have him.
Do this instead: sell those works, or maybe half of them, and give the money to Genocide Joe to bribe him to pardon Assange. Hell, if he lives long enough to see Trump elected, it would probably only cost half of that.
If he were interested in bringing things to light he would have released all the information he had, but he didn't, he held back for US Conservatives. He did right-wing politics in the US a big favor.
>If he were interested in bringing things to light he would have released all the information he had, but he didn’t, he held back for US Conservatives. He did right-wing politics in the US a big favor.
Oh no I like Assange. I have heard some people before saying negative things about WikiLeaks and by extension Assange so I asked. My understanding was they think/thought it's beholden to the Kremlin or something.