[Verse 1]
Two ravens in the old oak tree
And one for you and one for me
And bluebells in the late December
I see signs now all the time
The last time we slept together
There was something that was not there
You never wanted to alarm me
But I'm the one that's drowning now
[Verse 2]
I can sleep forever these days
Cause in my dreams I see you again
But this time-fleshed out fuller face
In your confirmation dress
It was so like you to visit me
To let me know you were okay
It was so like you to visit me
You're always worried about someone else
[Bridge]
At your funeral I was so upset
So, so upset
In your life you were larger than this
Statue statuesque
[Chorus] (x2)
I see signs now all the time
That you're not dead, you're sleeping
I believe in anything
That brings you back home to me
I hate this song. Literally sobbing at the fear of the state my mental health would be in if my wife suddenly passed.
Dang. Just looked it up. It's a song about a girl he met once and was dating someone else, but he still wrote a damn ballad and sent her a copy. Then she had to live her life surrounded by a song about a stranger's feelings for her.
And looking at the lyrics, they're sweet if said about a long-distance partner, but really weird to sing to a vague acquaintence.
Mr Brightside by the Killers. The tune was good and felt energetic when it came about, but it's about a guy being cheated on. Having had someone cheat on me around the time it came out it hit really close to home and I just don't enjoy listening to the song.
The problem with being in the UK is that it's so overplayed and I just have to tune it out.
Semi-Charmed Life, by Third Eye Blind. Basically, it's a song about doing meth... Spent almost twenty years just singing the chorus with absolutely no idea what the rest of the lyrics were. Now, it kinda feels weird, ngl.
Not so much a song about doing meth as it's a song about the ramifications of doing meth. "Doing crystal meth will lift you up until you break" it mentions lockjaw at the end and even talks about watching the love of his life die to an od.
I, as a child, did a music class presentation on "my favourite song of the year" on this little ditty.
Whoops!
Edit: To clarify, then, much like now, I listened to the music and not the lyrics. I don't know if that's common at all, but the singing is basically another instrument to me, and I hardly ever pay attention to the actual words.
I think it's fairly common to not always pay close attention to the lyrics. Most of the time, you hear a song on the radio, and you can't always make out what it's saying, but you're still able to enjoy the music and the singing melody. Until you pay more attention or you seek out the lyrics, then you're often surprised about what it's saying, cause the lyrics weren't the point when you used to listen to the song. It doesn't mean that it's world-changing or anything, but it just takes you by surprise.
But it's about how the excitement of meth, like that of a new relationship, fades and leaves the speaker wanting something more substantial while still fondly reminiscing about the good times.
The speaker thinks of the girl as a "sunburn" he "would like to save." He describes meth as something that "will lift you up until you break." I think these characterizations point very strongly toward nostalgic longing and away from the glorification of addiction or even that of drug use. So no reason to feel weird I think.
I guess you're right, I just never gave the song much thought. It's just that it kinda felt like some happy song and I never paid attention to what it was saying, then I looked them up one day, out of curiosity, and I guess it juat felt unexpected to me, and that's why it felt weird. Thinking about what you said makes me want to give the song another listen with an open mind, I guess.
Well, one that maybe went full circle for me is "bring the pain" by mindless self indulgence. At first, it just seemed like a really fun song that I loved. Then one day, a black dude was in my car listening with me, and he was like "wtf is this song about?". That's when it hit me that the song actually sounds REALLY racist. I looked up the lyrics and that just confirmed it for me. And then years later, I found out it was actually a cover of a method man song, and not really racist at all, I guess. But thats a weird one, maybe best not for white guys to be singing it...
The cover definitely goes hard though. I’m legitimately stunned to see MSI mentioned at all, especially at the top of a thread. I’ve been a huge fan of theirs for decades, and rarely if ever see anyone mention them.
Baby, It's Cold Outside. It's such a fun song as the guy and girl go back and forth. Until you realize that he's guilting her into sleeping with him. Eww!
The original film the song appears (Neptune's Daughter) in actually sings the song twice. The first one is very clearly "I want to leave" vs "but you can't." He literally takes the hat off of her head, and she seems very irritated throughout.
The second is a woman trying to stop a man from leaving, to the degree that he ends up putting her clothes on by mistake in an attempt to leave faster. And, as assault of men often is, it's portrayed for laughs.
The entire song is someone refusing to take "no" for an answer. At no point does the typically female role ever make an excuse to STAY, only to LEAVE.
Nope. In the original scene in Neptune's Daughter, she is actively trying to leave and he is doing everything he can to stop her. Note that she never makes an excuse to stay, only to leave.
“All that she wants” by Ace of Base. I read a deep dive into the band and it seems like they may have been formed after a neo-nazi group and that song might be about Jews trying to dilute the bloodline… so yeah kinda weird now.
Ok, I read thenlink and the bassist was an opely total piece of shit before joining the band but I didn't see anyhing about the AoB songs being hidden propaganda or the rest of the band's history. Where does the speculation come from?
Scott Weiland was compelled to write the lyrics after an incident in which a girl he was dating was raped by three high school football players after a party. Thus, Weiland has stated the song is an anti-rape statement, not a song simply about sex, saying: "This song is really not about sex at all. It’s about control, violence and abuse of power."
Weiland found himself in the position of defending "Sex Type Thing" to individuals who took the first-person approach he used in the song ("I am a man, a man/I'll give ya something that ya won't forget/I said ya shouldn't have worn that dress") literally. "It was, 'All right, the "Cop Killer" controversy's dead, let's try to find something else,' " says Weiland, who has been outspoken in the press about women's rights and contends that he wrote the song in the mind-set of what he has called "the typical American macho jerk" because he didn't want to sound peachy. "I never thought that people would ever seriously think that I was an advocate of date rape."
From genius.com : "The original inspiration for the lyrics came from David Lee Roth watching a person on TV who was threatening to commit suicide by jumping off of a building and Roth figured someone in the crowd must be thinking, “Go ahead and jump”. It was, however, not written about suicide – the song is about ‘jumping’ on the opportunity to hook up with someone."
I don't know what the vast majority of songs I listen to are about. I have some genetic defect that makes it near impossible to hear lyrics. It all sounds like melody to me.
When I loved this song as a teenager I did understand that it was about the girlfriend’s suicide, but I missed the abortion piece. I assumed the “baby’s breath” referenced wedding flowers and “shoe full of rice” was like the rice you throw on newlyweds.
Turns out the only true part of the story is the abortion, which is a rough topic but not inherently tragic. TBH these days a song about abortion could be considered wishful thinking. (Or even celebratory? Cue the Sextina Aquafina abortion song from Bojack.) The suicide is poetic license, but does make for a beautiful narrative of guilt and naïveté.
I think it's really interesting how people interpret music completely different than other forms of art. People sometimes assume the worst instead of realizing that the singer is speaking from another perspective. So for example if a writer has a first person perspective of a killer/rapist you wouldn't make an association that the author is anything of the sort. But if they wrote a song and sang it then people would question if they really felt that way. Polly is a great example. By many accounts (Kathleen Hanna , Kim Gordon) Cobain championed feminism and woman's rights but the lyrics of Polly are brutal and from the perpetrator view. Randy Newman's - Rednecks is a tough one to listen to. You can understand how it is trying to point out ignorance and racism like Blazing Saddles but it's sung in first person and should never be played in a public setting.
Oingo Bongo's - Little Girs was always a bit creepy now seems to age poorly the more time has gone on.
Minor Threat - Guilty of being white is a tough listen because you know racist people think this is a rallying cry instead of the emotionly reaction from a a teenage kid who was bullied in highschool for being white.
So for example if a writer has a first person perspective of a killer/rapist you wouldn’t make an association that the author is anything of the sort.
That does happen all the time in movies, shows, books, and other forms of art. "What kind of a person would come up with that" isn't an uncommon accusation.
Sure but I think it is less immediate. In music we have to make a decision if they are speaking about themselves nonfiction or fiction and in a book or movie we assume they are creating fictional character.
In my late teens one of my friend gave me thumb stick with some poorly tagged mp3 mess. It was mostly black metal which I kind of liked (still do, some of it, sometimes when the mood is right). Years later I found out it was compilation of some NSBM bullshit. Not that it mattered in lyrics, as it was allindistinguishable, impossible to hear in true black metal "recorded band jam on a tape in one go from room next door" style, but still... People producing that pretty good music were probably the most degenerate retards in their countries (from USA, through France to Russia).