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As a huge Alien fan, I have come away from tonight's screening actually angry. The sets and practical effects were fantastic, but you barely saw the aliens until the climax to the mid-section of the film.

Bringing back Ian Holm as Rook took some getting used to, especially as some of those shots were off. It seemed to get better as the film progressed. I already have a theory on that one. The credits listed the crew who worked on the Rook animatronic. I wonder if they were displeased with the result and used CGI to cover the face? (Maybe I'm just too angry at the moment 😆)

The visual and audio Easter eggs were annoying, especially when Andy repeated Ripley's line. My audience laughed, and I was just facepalming by this point.

I think what finally broke the camel's back was the third act, which links the film to Covenant and Prometheus. I didn't like those films as hey try to explain the alien's origins, and now we have to have a fight with a creature that was giving me Alien:Resurrection newborn vibes. Is this Ridley sticking his oar in, as it is his creation?

I'm just so disappointed. After seeing the first two trailers, I thought we were getting something that was going to be really special, a return to form.

Ugh!

BORDERLANDS - Review Thread

• Rotten Tomatoes: 4% (25 Reviews)
• Metacritic: 32 (20 Reviews)

Reviews:

Hollywood Reporter (30/100):

>It’s conceivable that longtime fans of the video game might get more out of Borderlands, but I wouldn’t count on it. At one point, Claptrap returns to operational mode after a heavy-weaponry assault and says, “I blacked out. Did something important happen?” Not in this movie.

Variety (40/100):

>Marketed to look like a cross between “Suicide Squad” and a Zack Snyder movie, director Eli Roth’s tamer-than-expected take on “Borderlands” doesn’t have half the attitude or style its cyberpunk ad campaign might suggest. But here’s the real reason why fans of the game will be disappointed: It’s predictable, therefore nullifying the whole “What’ll it be?” appeal of loot.

SlashFilm (4/10):

>Borderlands makes a point of not being different enough to upset the fanbase, but it's also not unique enough to win over new audiences, either. It's a movie for everyone and no one, a film so unwilling to make a splash that it barely makes a peep.

IndieWire (42/100):

>If granted permission to bring his signature sadism to these infamously batshit characters, Roth could have delivered his “Mad Max: Fury Road.” Instead, restricted by standards that seem equally unlikely to please preteens, he was left holding a bomb.

Empire (2/5):

>A botched Guardians wannabe that isn’t half as fun as you’d hope from the punky sci-fi promise of its video-game source material and the presence of Blanchett at the top of the cast list.

IGN (3/10):

>Borderlands is a catastrophic disappointment that plays like hacked-to-pieces studio slop, betraying everything fans adore about Gearbox Software’s franchise in derivative, regrettable taste.

Rolling Stone:

>Borderlands Is an Insult to Gamers, Movie Lovers and Carbon-Based Lifeforms. We'd say it's the worst video game movie ever — but that's way too limiting

Collider (5/10):

>'Borderlands' is a fun ride, but a bloated cast and breakneck pacing don’t allow it to reach its full potential.

BleedingCool (5/10):

>I don't think I have ever watched quite so gossamer-thin a movie and yet been so entertained throughout as with Borderlands. There really is nothing to this film. No emotional depths, stakes, or convoluted plot worth speaking of.

TotalFilm (40/100):

>The Gearbox title gamers loved has spawned a frenetic and disorderly shambles they’re likelier to loathe. Claptrap? You said it.

The NY Times (40/100):

>You can see the jokes, but most of them don’t land. Still, there is some neat design work if you squint.

GameSpot (2/10):

>Borderlands comes in at a very brief 102 minutes in length, which you might be tempted to reflexively celebrate in our current landscape of hella long movies. But there's a reason longer movies are en vogue--more time allows for more depth, and depth is what Borderlands is missing the most. But that's what happens sometimes when a movie spends four years in post-production being repeatedly reworked--over time, everything gets sanded down into nothingness.

ScreenRant (70/100):

>Blanchett knows exactly what movie she's in, and she seems to be having the time of her life fitting herself into the mold of a video game heroine.

Men's Journal:

>If Borderlands doesn't stop studio executives from salivating at the sight of every single IP that comes across their desks, nothing will.

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In Theaters August 8:

>Lilith, an infamous outlaw with a mysterious past, reluctantly returns to her home planet of Pandora to find the missing daughter of the universe's most powerful S.O.B., Atlas. Lilith forms an alliance with an unexpected team — Roland, a former elite mercenary, now desperate for redemption; Tiny Tina, a feral teenage demolitionist; Krieg, Tina's musclebound, rhetorically challenged protector; Tannis, the scientist with a tenuous grip on sanity; and Claptrap, a persistently wiseass robot. These unlikely heroes must battle alien monsters and dangerous bandits to find and protect the missing girl, who may hold the key to unimaginable power. The fate of the universe could be in their hands but they'll be fighting for something more: each other.

Directed by Eli Roth (Reshoots by Tim Miller)

• Cate Blanchett as Lilith
• Kevin Hart as Roland
• Jack Black as the voice of Claptrap
• Edgar Ramírez as Atlas
• Ariana Greenblatt as Tiny Tina
• Florian Munteanu as Krieg
• Gina Gershon as Mad Moxxi
• Jamie Lee Curtis as Dr. Patricia Tannis
• Bobby Lee as Larry
• Olivier Richters as Krom
• Janina Gavankar as Commander Knoxx
• Cheyenne Jackson as Jakobs
• Charles Babalola as Hammerlock
• Benjamin Byron Davis as Marcus
• Steven Boyer as Scooter
• Ryann Redmond as Ellie
• Harry Ford as Middleman

Summary:

A woman named Sam finds herself trapped in New York City during the early stages of an invasion by alien creatures with ultrasonic hearing

Director:

Michael Sarnoski

Writers:

Michael Sarnoski, John Krasinski, Bryan Woods

Cast:

• Joseph Quinn as Eric
• Lupita Nyong'o as Samira
• Alex Wolff as Reuben
• Djimon Hounsou as Henri
• Thea Butler
• Jennifer Woodward as Nurse

Rotten Tomatoes: 86%

Metacritic: 68

Summary:

A man seeks to break free from his predetermined path, a cop questions his wife's demeanor after her return from a supposed drowning, and a woman searches for an extraordinary individual prophesied to become a renowned spiritual guide.

Director:

Yorgos Lanthimos

Writers:

Yorgos Lanthimos, Efthimis Filippou

Cast:

• Emma Stone as Rita
• Jesse Plemons as Robert
• Willem Dafoe as Raymond
• Margaret Qualley as Vivian
• Hong Chau as Sarah
• Tessa Bourgeois as Louise

Rotten Tomatoes: 74%

Metacritic: 65

Rotten Tomatoes: 82%

Metacritic: 71

Rotten Tomatoes: 82% tomatometer, 43$% audience score

Metacritic: 71

Rotten Tomatoes: 66% tomatometer / 97% audience score

Metacritic: 55

• Rotten Tomatoes: 97
• Metacritic: 83

• https://en.wikipedia.org/wiki/Kingdom_of_the_Planet_of_the_Apes
• Rotten Tomatoes: 83%
• Metacritic: 64

• RT: 87%
• MetaCritic: 76

Rotten Tomatoes: 84% Metacritic: 78

https://en.wikipedia.org/wiki/Civil_War_(film)

https://www.rottentomatoes.com/m/the_ministry_of_ungentlemanly_warfare

https://www.metacritic.com/movie/the-ministry-of-ungentlemanly-warfare/

How did you find it?

Rotten Tomatoes: 61%

Metacritic: 49

Rotten Tomatoes: 68%

Metacritic: 58

Rotten Tomatoes 46% (69 Reviews)

Metacritic: 46 (22 Reviews)

https://en.wikipedia.org/wiki/Love_Lies_Bleeding_(2024_film)

• Rotten Tomatoes: 92%
• MetaCritic: 77