Edit: Even if you want to be reductive and consider the entire movie as just a big brand advertisment, this doesn't make sense. Does Burger King subsidize their commercials by running Samsung Ads within them?
Edit2: This is probably a bad retort, see my other comments for clarification.
BK was also a leader in cross-promotion. In 1977, they ran commercials using Star Wars advertising while selling glasses with the characters from the film.
Movie studios have been using paid promotions for products since the 90s. Iirc the very first paid movie tie-in was in ET. The studio had planned on using M&Ms in the film but were rejected by Mars. Hershey's heard about this and paid them to instead use Reese's Pieces in the movie.
It's fair to hate it, I usually do, but it happens all the time. The only one I can think of that I liked was 30 Rock, especially with their Snapple product placement.
Then there's Dr Strange, where no car company wanted to have him crash and severely injure himself in their car. But Lamborghini was like: Well....he lives right? Here take 3!
... The absurdity of the hyperconsumerism displayed in both worlds via blatant advertisementsts is kind of the point, to illustrate the importance of refinding humanity and sincerity for cynical adults tired of the state of the world.
Ugh. This is dangerously close to breaking strike rules, but I thought this was pretty obvious...
Close, but not quite right, since this is more of an explicit rejection of postmodernism and nihilism idea of "nothing matters" in general, that it's important to find the things do matter even in a world as depressing as ours is, and to believe that things can change.
I think the issue you have is with capitalism. Artists donât know with any level of certainty if their movie, music video etc will have any substantial return on their investment. So if youâre a studio sinking millions of dollars into something, you want to know that youâre gonna make at least some of that back, and negotiating ahead of time for a sponsored segment can help guarantee at least a small return. This is made much worse by the downturn of the movie industry in America with record low movie tickets being sold. Itâs just becoming less and less feasible to make money from movies (and music/music videos for that matter but theyâre a much different type of media) these days.
If people were able to make art for arts sake, not have to worry about people paying for it, being able to pay rent etc. then I think this would disappear almost entirely.
"It's capitalism" is an unsatisfying explanation because one the one hand it's sort of trivially true, but on the other, good movies have been made under capitalism. Hindsight's 20/20, but I don't really buy that the execs didn't see a massive ROT on Barbie beforehand, given it's prestige, cast, director etc. I understand that some cruddy network TV show or "Tetris the movie" or whatever have to fall back on advertising to cover their costs, but this one? Seems entirely unnecessary, even more so considering the artistic cost it came along with.
The bleak thing is not advertising per se, which we are used to, but advertising in movies that seem far too big for it. And then of course crass, embarrassing way it was implemented here.
I think youâre focusing too much on the ROI and and not the distinction between projected ROI and a guaranteed one. They can expect to make a return, but the cannot do so with any degree of certainty. Whereas with a sponsored segment, that is guaranteed money before the movie even opens.
And youâre correct, good movies have been made under capitalism. Good movies are also made with sponsored segments. Iâm arguing that theyâre good despite the pressures of capitalism, not because of it.
I mean look at Elemental, huge, expensive production, one of the biggest animation houses in America with a history of incredible and influential work, huge media and ad campaigns and yet⌠it was a flop (at least domestically). Iâm sure they expected to make a lot more money than they did.