The dedicated actor talks about his new Focus Features film, the ways he has grown as a creative professional over the years and reveals a "secret" project in the works.
As for the possibilities in Hardy’s future, he says of the rumored Mad Max: The Wasteland George Miller project, “I don’t think that’s happening.”
I'm kind of surprised it was considered a flop, it was just as good as Fury Road. It even did a little bit better job at filling out the world and solidifying the characters than FR. It was actually more than just one long chase (as cool as that is) but still had plenty of action and vehicle antics etc. Critic and audience scores are also high.
I think it's maybe more a reflection of the cinema landscape as a whole or something. Theaters aren't dead, but I do think they peaked maybe in terms of the insanely inflated box office numbers that have set unrealistic industry expectations for "success".
I agree with this. I pass by a theater regularly and my spouse and I just haven't seen any need to go. Personally, I blame their marketing teams. All the trailers are the same, they either give away the whole story or they don't tell us anything about the story. It's all action scenes, they all blend together, and just blech. So I don't go to the theater anymore.
Then the theaters are gross now, people are rude, staff have just given up, it's not a fun experience for me anymore. Even Dune 2 I just waited until it was out and watched it at home, and had a much better experience.
So I agree, theaters aren't dead, but they have fallen into a rut of corporate complacency and aren't trying hard enough to get out of it.
...That's not exactly what you would call a definitive 'no'. If anything, I think that biggest issue would be that he, much like Charlize Theron, would just be too old for a prequel that takes place between Mad Max and Mad Max: Fury Road, and way too old for something that takes place before the original Mad Mad.
Maybe I'm the only one, but I wasn't enamored by his take on Max. Fury Road is an absolutely fantastic movie and is easily in my top-10 right now, but I credit that much more to George Miller, Charlize, and Nicholas Hoult. Max seemed like almost an afterthought.
I was so glad to have a different MAX, after Mel Gibson proved himself a violent Catholic fascist racist antisemitic misogynist, I mean what sort of person can keep watching the old Mad Max's and get any enjoyment out of a performance from a human being that is entirely and irredeemable piece of human garbage?
Bad people can make good art. I'd never want to meet him, but I can't say he didn't kill it in Signs. I've never seen it, but I hear amazing things about Braveheart
The action is just so amazing, as well as the works building. You're right that is relatively predictable, but it's not it's intention to be unpredictable, just a very cool action movie
I'm not a huge Mad Max fan, but I didn't predict anything in that film. Especially character design. Between the cars, the War Boys, and all 3 of the villains I was surprised each time.
It is a visually stunning movie, try watching it just for the cinematography. IMO... every frame could be a photograph. Here - I'll grab one, totally random. You can do this close to anywhere in the movie, take a frame - hang it on a wall:
I feel like I'm taking crazy pills. Why was the movie so highly praised? I hate everything about it. It's so cringe, I'm 14 and this is deep, edgy teen crap.
I read that Furiosa flopped so that might have something to do with it. Also everyone involved is ten years older now than they were when Fury Road was made so there is that to consider as well. I say give us a few animated Mad Max movies and revisit the live action stuff in 20 years. I'd be happy with that.
That's a really fair point. Part of the draw of the Mad Max films is the insane action and chase sequences. It just hits different with live action. It would be tough to pull off that same level of awe inducing spectacle in an animated film.