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flavigula Flavigula @sonomu.club

A mustelid and sound sculptor based in Logroño, Spain and Prague, Czechia. If you fancy listening to my music:

https://faircamp.thurk.org https://mirlo.space/47/releases https://jam.coop/artists/flavigula https://flavigula.bandcamp.com

Also a programmer, working with and / or interested in #erlang, #elixir, #lua, #fennel, #forth, #scheme and #python. Avid #vim, #VoidLinux and #ArchLinux user.

Posts 1
Comments 5
#20songs, or better #20musicworks, influencing to me:
  • @jrp

    I thought about adding this to my 20 albums. I do like it quite a bit. I saw it performed live in Dresden in 2008. Reich was in the ensemble.

    @experimentalmusic @contemporarymusic @radicalmusic

  • Look, I finally found one!
  • @jrp

    This would be quite the module to have! I'm going out right now to buy a new rack so I can fit it into my system!

    Seriously - I would find this very useful.

    @modularsynth

  • I've been trying to make an introductory [#post](https://sonomu.club/tags/post) for [@[email protected]](https://lemmy.studio/u/flavigula) to the community [@ambient](https://lemmy.studio/c/ambie
  • @[email protected] @ambient

    I recently joined here, though I have been a “fedizen” since 2018 or so, mostly on Mastodon.

    I am an ambient and drone "artist", though I venture into psychedelic and post rock realm from time to time, but with a tinge of “electronica”.

    Most of my music is at my Funkwhale instance: https://funkwhale.thurk.org/library/artists/1/ and a subset at https://flavigula.bandcamp.com

    I’m here to share and listen and exchange points of view about process, timbre, texture, harmony, etc...

    Greetings to all.

  • I've been trying to make an introductory (https://sonomu.club/tags/post) for (https://lemmy.studio/u/flavigula) to the community (https://lemmy.studio/c/ambie

    I've been trying to make an introductory #post for @[email protected] to the community @ambient - The web page just hangs when I submit the post. So! I'm going to try from here.

    5