During a gameplay session last week my character left a message on the Wood Wide Web for some local wildfolk. I was just improvising in the game, but I love the concept and I think it'd be nice to develop the concept a bit and share to make it easier to use in games.

The concept of the Wood Wide Web is currently understood strictly as a mycorrhizal network for coordinating interactions between fungal communities and plants across forests, but within the game I'd like to establish that these existing networks are used as a backbone for sending messages across forests by humans.

I don't want to go too deep, but what should the player experience of using this be like?

In my head, I'm imagining this as an organic version of a wireless ad-hoc mesh network. One project in particular, diaster.radio, is designed to set up a system for Twitter-like microblogging that is geotagged across a decentralized mesh of nodes. I think this is a good framework. Users access the Wood-Web by plugging a small electronic spike into the dirt, and it lets them browse recent posts like you do on Mastodon, but perhaps with low character limits and no multimedia. Does that sound good? What do folks think of this interface?

Also, I'd like a basic overview of how it works. It doesn't need to be highly technical. But just as one might try to hack a network and we all understand what a WiFi router is, I'd like for there to be a basic understanding of how this is managed. I'm thinking that it's primarily based on the naturally occurring mycorrhizal networks, but with a series of low-power router nodes that allow humans to interface with it.

What do folks think? As a player, if you went into a forest and plugged in to this, what would you expect to see? How fast and far do you think messages should go? What kind of maintenance would you imagine sysadmins needing to perform? Thanks!

I think this is a glimpse of both our present and near future. Companies failing without an end-of-life plan, and hackers swooping in. It's fascinating. I wonder what it might tell us about more extreme examples, like major power and fuel infrastructure.

These aren't the kind of election results that lead in the news, but Alaskan natives recognizing the importance of a rule that obstructs the two major parties from gatekeeping voters abilities to express choices that don't align with party line issues is exactly the kind of change in politics that might save us.

A few of us just started a new campaign! We might have room for one or two more people if anyone has been looking for an opportunity to join in a game of Fully Automated!

I'm not the GM, fyi, so participating is contingent on the preferences of our GM. But I'm excited to finally be trying this game as a player!

I volunteered to present a talk on Robot Operating System (ROS) to the Open Automation Club. Details can be found here: https://www.autobio.blog/robot-operating-system-with-andy-gross/

If you want to join, this is the link (although I added the word "POTATO" to prevent bots from doing anything weird. Remove the word POTATO to access the meeting).

https://us06web.zoomPOTATO.us/j/85686205319?pwd=QUuCxqbbfYb3xhjf8X3Nqrn9VGVxHy.1

I gotta say that I feel weird reading this examination of Octavia Butler's notes.

I'm reading Parable of the Talents right now, and I had to stop. It's gotten too fucking dark. It's about the fascist takeover of America by Christian Nationalists, and a major character just died, and there is sexual exploitation of children... I really like Butler and Parable of the Sower, but this just got so dark I decided to read the summary and find out if I wanted to read more, and I don't think I can read this, at least not right now.

Reading about the unpublished sequels feels even worse. It seems like Butler had a head full of so much darkness and cynicism, and her published works were just the processed output after she managed to find the least brutal version of her thoughts. These books were her at her most hopeful! YIKES.

I like her and these books, but I just had to vent about some of this.

cross-posted from: https://slrpnk.net/post/14202920

> There was a post on Reddit that praised the ubiquitous "Dear Alice" commercial, and inevitably a comment criticizing praise for a commercial. This led to me to wonder more about who it was that made this famous solarpunk advertisement. The answer is an animation studio called The Line. I went looking at some of their other work, and came across this interesting demo short for what appears to be a proof of concept or pilot for a solarpunky animated monster hunting series. > > I don't love the heavy use of guns. But setting that aside, I think the art is interesting. I'm fascinated to see what people are doing with the artistic and conceptual toolset solarpunk offers, and I think this is a use case that I wouldn't mind seeing more of. > > Unfortunately, this demo is as far as the project went. But I'm happy to see that the folks at The Line appear to have some broader interest in solarpunk, and I hope they keep putting it into practice in unique ways.

There was a post on Reddit that praised the ubiquitous "Dear Alice" commercial, and inevitably a comment criticizing praise for a commercial. This led to me to wonder more about who it was that made this famous solarpunk advertisement. The answer is an animation studio called The Line. I went looking at some of their other work, and came across this interesting demo short for what appears to be a proof of concept or pilot for a solarpunky animated monster hunting series.

I don't love the heavy use of guns. But setting that aside, I think the art is interesting. I'm fascinated to see what people are doing with the artistic and conceptual toolset solarpunk offers, and I think this is a use case that I wouldn't mind seeing more of.

Unfortunately, this demo is as far as the project went. But I'm happy to see that the folks at The Line appear to have some broader interest in solarpunk, and I hope they keep putting it into practice in unique ways.

Full disclosure: I'm the one in the interview. But still, I think this was a great episode! I really appreciated the questions Ariel asked and where the conversation went. There's so much I wish we could've covered, but considering the limitations of time, I have no regrets.

Share thoughts. I think there are other podcasts that would be a good fit to discuss this game. If so, though I'd encourage other devs of the game to consider going on. I think the diversity of perspectives would be cool to hear.

I had this idea for an adventure. I wanted to post it here so I don't forget it, and also to share it in case anyone else wants to use parts of this.

~

Players investigate a fatal industrial accident in a mining project by a fault line management agency. They discover that the deceased had uncovered a conspiracy: the agency has been slowly infiltrated at multiple levels by members of the suicide cult NostroCramo. This group believes that the world is a simulation, and seeks to crash the simulation to liberate themselves and anyone else who is trapped in it, and they've become convinced that triggering a massive earthquake will do it.

To do so, they've infiltrated the Seismic Management Division of the Pacifican Department of Geology, which is responsible for conducting deep subterranean operations to execute small controlled releases of energy along fault lines. Their plan has been to use the agency's resources to do the exact opposite purpose: instead of modeling out the safest way to release energy, they've been setting up an energy release meant to trigger the biggest possible release along the entire San Andreas fault line ever: the first magnitude 10+ quake.

The players have to investigate the death, discover that the accident was really a murder, uncover the conspiracy, then make their way through mine shafts to disable the charges. They must work their way all the way to the location of the largest charge in a bunker sitting 7 km down within the earth's crust. They can initially be trying to move undetected to avoid motivating the cultists to trigger the charges early, and then later be racing them down to the last and deepest one.

(I'm calling it "Rock-a-bye Baby" for now, although I'm pretty sure I can do better than that. Feel free to suggest cooler names.)

I created a brief introductory video explaining the premise of the game, another describing the premade characters, and four actual play videos to show folks what the game looks like in practice!

I've uploaded these to YouTube and of course PeerTube as well!

https://video.everythingbagel.me/c/fully_automated/videos

https://www.youtube.com/@FullyAutomatedRPG-nz1wh

I don't plan on making any more content at the moment, but I'm glad to have a few videos that I think might help people who want to know more get a clearer picture on what this is. And if we happen to make more video content in the future, we now have somewhere to put it!

RPGGeek.com is a website for rating and discussing role playing games. We now have a product listing there. If anyone is registered to the site, consider going on and leaving a rating or review!

cross-posted from: https://slrpnk.net/post/13236888

> Not givin' up

Not givin' up

cross-posted from: https://slrpnk.net/post/13156086

> Parable of the Sower is such a good book. > >First, it's interesting that it starts right about now. The book starts in mid-2024, and even mentions that its an election year. That was a fascinating experience to read a scifi book in the moment in time in which it is set. It still feels like it takes place about 20 years in the future. It was written 31 years ago, so politically things have seemed to move as many steps forward as backward. It seems like a lot of things have not gotten better and worse than when Butler wrote it, so in some sense I feel like I'm looking at it as a near future in the same way as when it was written a generation ago. I guess I'm glad things didn't go as badly as in the story, but it's rough that the looming threat from 30 years ago feels the same distance away now as then. > >Second, it's painful to read. Although the events described in the book haven't happened in the book's setting -- California -- the social collapse and migrations described have happened in Honduras, Gaza, Yemen, and certainly others I'm not aware of. It was really hard to read that and know that it was already real somewhere. > >Third, as a solarpunk novel -- and really as general fiction -- it feels like it should be part of a high school curriculum. It's really well written and an engrossing read. Since publishing Fully Automated, I often relate solarpunk stories to that game. What might I have added to the game if I'd read this before? How well does it naturally fit? One thing that struck me is that her emerging in-world faith -- Earthseed -- reminds me quite a bit of elements of Seekerism, a new faith tradition in Fully Automated. I wish I'd known and included direct references to Earthseed, but it's nice when the game has alignment with great works that I wasn't directly familiar with. > > Has anyone else read this? What do you folks think?

Parable of the Sower is such a good book.

First, it's interesting that it starts right about now. The book starts in mid-2024, and even mentions that its an election year. That was a fascinating experience to read a scifi book in the moment in time in which it is set. It still feels like it takes place about 20 years in the future. It was written 31 years ago, so politically things have seemed to move as many steps forward as backward. It seems like a lot of things have not gotten better and worse than when Butler wrote it, so in some sense I feel like I'm looking at it as a near future in the same way as when it was written a generation ago. I guess I'm glad things didn't go as badly as in the story, but it's rough that the looming threat from 30 years ago feels the same distance away now as then.

Second, it's painful to read. Although the events described in the book haven't happened in the book's setting -- California -- the social collapse and migrations described have happened in Honduras, Gaza, Yemen, and certainly others I'm not aware of. It was really hard to read that and know that it was already real somewhere.

Third, as a solarpunk novel -- and really as general fiction -- it feels like it should be part of a high school curriculum. It's really well written and an engrossing read. Since publishing Fully Automated, I often relate solarpunk stories to that game. What might I have added to the game if I'd read this before? How well does it naturally fit? One thing that struck me is that her emerging in-world faith -- Earthseed -- reminds me quite a bit of elements of Seekerism, a new faith tradition in Fully Automated. I wish I'd known and included direct references to Earthseed, but it's nice when the game has alignment with great works that I wasn't directly familiar with.

Has anyone else read this? What do you folks think?

cross-posted from: https://slrpnk.net/post/13067768

> I finally got around to making a playlist of the music used to score the starter campaign, Fully Automated: Regulation! > > I think it's a collection of real bangers. I hope that for people who haven't played these stories, this might give an enticing taste of what to expect. And for people who might've played, perhaps it takes you back to some memorable moments. > > Demonstration of Power > > - The stakeout: “This DJ” by Warren G > - Fight scene!: “Dare to be Stupid”, covered by The Cybertronic Spree > - Roll credits: “Fine”, by Lemon Demon > > Psychonautica > > - Opening Sparing match: “Champion” by Buju Banton > - Entering neurospace: “Just dropped in” by Kenny Roger > - The mindscape: “Ghandi, Dalai Lama, Your Lord & Savior J.C.” by André 3000 > - Dance battle: “Do the Damn Thing” by Rupee > - The Bathhouse: “Ants to You, Gods to Who?” by André 3000 > - Android assault: “Robot Rock” by Daft Punk > - Synthesizing the cure: “The Oligo Separation Verse” and “Analytical Gangster” by True Speak > - Roll credits: “Pony” by Deluxe > > Piece of Mind > > - Surf Intro: “Cecilia Ann” by The Pixies > - Fighting back: “Headshot” by she > - Starting the investigation: “No Time for Dreaming” by Charles Bradley & Menahan Street Band > - Sneaking around: “The Sensual Woman” by The Herbaliser > - Piecing things together: “Cause for Alarm” by The Heavy > - Research montage, pt.1: “Metrocenter 84” by Sunset Neon. > - Research montage, pt.2: “You Rock Me” by she > - Making a plan: “Drag and Drop” by the Soul Motivator > - Showtime: “Swing Break” by the McMash Clan, feat. Kate Mullins > - Showdown: “Mastermind” by Deltron 3030 and Dan the Automater > - Showdown, cont’d: “Don’t Get In My Way” by Zach Hemsey > - Roll credits: “UNLVD” by Socalled > > Olives Fair in Love and War > > - Vampire fight: “Dark Entities” cover by Daniel Guerra Caballero > - Roll credits: “Birdhouse in your Soul” by They Might Be Giants

I finally got around to making a playlist of the music used to score the starter campaign, Fully Automated: Regulation!

I think it's a collection of real bangers. I hope that for people who haven't played these stories, this might give an enticing taste of what to expect. And for people who might've played, perhaps it takes you back to some memorable moments.

Demonstration of Power

• The stakeout: “This DJ” by Warren G
• Fight scene!: “Dare to be Stupid”, covered by The Cybertronic Spree
• Roll credits: “Fine”, by Lemon Demon

Psychonautica

• Opening Sparing match: “Champion” by Buju Banton
• Entering neurospace: “Just dropped in” by Kenny Roger
• The mindscape: “Ghandi, Dalai Lama, Your Lord & Savior J.C.” by André 3000
• Dance battle: “Do the Damn Thing” by Rupee
• The Bathhouse: “Ants to You, Gods to Who?” by André 3000
• Android assault: “Robot Rock” by Daft Punk
• Synthesizing the cure: “The Oligo Separation Verse” and “Analytical Gangster” by True Speak
• Roll credits: “Pony” by Deluxe

Piece of Mind

• Surf Intro: “Cecilia Ann” by The Pixies
• Fighting back: “Headshot” by she
• Starting the investigation: “No Time for Dreaming” by Charles Bradley & Menahan Street Band
• Sneaking around: “The Sensual Woman” by The Herbaliser
• Piecing things together: “Cause for Alarm” by The Heavy
• Research montage, pt.1: “Metrocenter 84” by Sunset Neon.
• Research montage, pt.2: “You Rock Me” by she
• Making a plan: “Drag and Drop” by the Soul Motivator
• Showtime: “Swing Break” by the McMash Clan, feat. Kate Mullins
• Showdown: “Mastermind” by Deltron 3030 and Dan the Automater
• Showdown, cont’d: “Don’t Get In My Way” by Zach Hemsey
• Roll credits: “UNLVD” by Socalled

Olives Fair in Love and War

• Vampire fight: “Dark Entities” cover by Daniel Guerra Caballero
• Roll credits: “Birdhouse in your Soul” by They Might Be Giants