> Coming soon from ITN Studios is the slasher movie Piglet, the latest twisted take on a public domain character from the Pooh universe, and we’ve got the trailer for you this afternoon. > >For clarity, this project is not part of the public domain universe known as the “Poohniverse,” which began with Winnie the Pooh: Blood and Honey. Same idea, different team. > >Watch the official Piglet trailer below and expect a release date soon.

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> Having captured the claustrophobia of Covid with ahem breathless 2021 chiller Oxygen, Alexandre Aja — whether intentionally or not — iooks set to head into agoraphobic horror territory with his follow-up Never Let Go, a film in which Oscar winner Halle Berry and her kids literally bind themselves together with rope to face the evils that lay beyond their own doorstep. But if the atmospheric first trailer for Aja's post-apocalyptic psychological thriller is anything to go by, then we suspect the danger facing Berry and her brood may well reside a little closer to, well, home. Check it out below and you'll see what we mean:

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cross-posted from: https://feddit.uk/post/16411743

> > The first trailer for new vampire thriller The Radleys, starring Line of Duty's Kelly Macdonald, has been released. > > > >Adapted from Matt Haig's novel of the same name, the film centres around a married couple who are hiding a dark secret from their children: they're vampires. > > > > The film will receive its world premiere at the upcoming Edinburgh International Film Festival on Tuesday, August 20. Sky has also confirmed The Radleys will then be released on Sky Cinema and in cinemas on October 18. > > > > ... > > > > "The Radleys are an ordinary family who hold a dark secret... they are abstaining vampires," reads the official synopsis for the film. > > > >"As if being a teenager wasn't bad enough, bloodthirsty instincts take over the teens of the family, revealing the terrifying truth and opening the door for an extended family member to re-enter and upend The Radleys' once perfect slice of suburbia." > > Trailer

> Don't you just hate it when you get invited to the private island resort of an eccentric tech billionaire only to find out it's a ruse for some seriously dark shenanigans? Now, technically that's never happened to us (we just found Glass Onion really immersive honestly). It is however the fate that Zoë Kravitz's upcoming directorial debut Blink Twice has in store for Naomi Ackie, whose cocktail waitress Frida finds herself being whisked away for sun, sea, sand, and a side order of seriously sketch behaviour by Channing Tatum's megarich Slater King in the sinister new trailer for the buzzy psychological thriller. Check it out:

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> Near the start of “Only the River Flows,” police officers set up an office in a closing movie theater. That backdrop suits this Chinese noir, the third feature from the director Wei Shujun, which, at times, feels like it unfolds in a universe of other films. > >Tangled, unresolved procedurals like Bong Joon Ho’s “Memories of Murder” and David Fincher’s “Zodiac” loom large. Much of the score, on the other hand, is taken, strangely, from David Cronenberg’s “Crash” — not a murder mystery, but perhaps a clue to the kind of mind-body disconnect and existential stakes that Wei’s film means to ponder. > > ... > > But “Only the River Flows,” based on a work by the author Yu Hua, is not the pure pulp a summary suggests. (An opening quotation from Albert Camus is fair warning.) As Ma Zhe’s personal life and the investigation begin to merge in his mind, Wei’s film increasingly blurs the line between the real and the imagined. The filmmaker has a gift for disorientation — a chilling cut connects a scene of a pregnancy ultrasound to Ma Zhe flipping through slides of murder evidence — that partly compensates for the muddiness of the plot.

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cross-posted from: https://feddit.uk/post/15489198

> > You've heard of Candyman. You've heard of Batman. You've heard of Bicentennial Man (actually, maybe not that one!). But did you ever hear of Bagman? A child-snatching nightmare figure from Latin American, Eastern European, Asian, and African folklore, the Bagman — or Sack Man, as he's sometimes known — is a Pennywise-like force of evil who takes innocent kids and stuffs them, well, in his bag. And he's the central figure looming over The Girl With All The Gifts director Colm McCarthy and writer John Hulme's aptly titled folk chiller Bagman, which is set to see Sam Claflin, Antonia Thomas (The Good Doctor), and Aftersun breakout star Frankie Corio among others come face to face with the eldritch terror. Watch the creepy first trailer below: > > Trailer on YouTube

> When Christian and Mads Tafdrup's Danish horror Gæsterne — aka Speak No Evil — landed on Shudder back in 2022, it left even the hardiest of genre lovers, well, speechless honestly. Amongst those beguiled by the duo's darker than dark tale about a Danish family whose charming Dutch hosts for a weekend getaway aren't quite all they seem was Blumhouse head honcho Jason Blum, who quickly snapped up the rights to an English-language remake. Relocated to the UK, written and helmed by Eden Lake's James Watkins, and starring Mackenzie Davis (Station Eleven) and Scoot McNairy (A Quiet Place Part II) as an American couple invited to Brits James McAvoy and Aisling Franciosi's (Game Of Thrones) idyllic country estate, the Speak No Evil remake already looks set to get tongues wagging once again. Just check out the new trailer for the holidaying horror below:

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> Fans of Jérémy Clapin’s strange, haunting animated movie I Lost My Body (which is streaming on Netflix) may be surprised at the pivot he took with his second feature film, Meanwhile On Earth. This time, he’s working in live action, with a science fiction premise involving a secretive alien invasion. The first trailer for Meanwhile On Earth has arrived, and for fans of low-budget, character-driven sci-fi, it may look familiar: It feels like a blend of Jonathan Glazer’s striking 2013 Scarlett Johansson thriller Under the Skin and Mike Cahill’s dreamy, shocking 2011 drama Another Earth.

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> Paramount has unveiled its first trailer for “Smile 2,” the follow-up to the 2022 breakout horror hit. In the sequel, out Oct. 18, a pop star (Naomi Scott) is driven mad by an evil curse that takes victims in the form of a creepy smile. > > Parker Finn, writer and director of the first “Smile,” returns with actor Kyle Gallner, who played police officer Joel. The film series chronicles an evil, unrelenting demon that drives its victims to suicide by appearing as a series of human beings with sinister smiles plastered across their faces. > > ... > > While originally slated for a streaming only premiere on Paramount+, the studio behind the film gave “Smile” a full theatrical release, a move that paid out $217 million at the global box office. The smiling success of the first film no doubt convinced Paramount to sign on for another. If the latest installment can pull off similar results, it could be the start of the newest saga in a long line of classic horror franchises.

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> Soi Cheang’s punchy, peppy thriller will be lapped up like manna from heaven by fans of Hong Kong action cinema. Set in the genre’s salad days, the 1980s, in Hong Kong’s gang-ridden enclave of Kowloon Walled City, it takes delicious advantage of that decade’s clothes, haircuts and pimpy shades. > > Having topped the Hong Kong box office over its Labour Day holiday release and opening strongly in China, and with deals already locked in for the UK & Ireland, Germany and the US, Twilight of the Warriors: Walled In should appeal to anyone who is up for a rollicking, fast-paced, stylish actioner that is always atmospheric while never taking itself too seriously. Soi has carried the torch recently for the crime-meets-action genre in films ranging from Accident (2009), Motorway (2012), the ultra-dark Limbo (2021) and the flimsily whimsical Mad Fate (2023).

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> Amanda Nell Eu’s snarling debut is not the first film to harness body horror tropes as an allegory for the adolescent angst and the shame of female puberty. But this Malaysian production, which shares central ideas with Pixar’s Turning Red, as well as genre films such as Carrie and Ginger Snaps, folds in a distinctive element of south-east Asian folklore and superstition, in addition to universal themes of preteen girl bullying.

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