contemporaryMusic group

My new broadcast for tomorrow's @Biesentales radio show "Too fast to grasp" airs from 19h30 to 21h Berlin time and will feature longer works by Tyshawn Sorey, Adam Rudolph, Sae Hashimoto, Russel Greenberg, Levy Lorenzo, Yarn/Wire, Emiliano Pennisi, João MS, Héliodrome and myself. The complete arrangement has been contextualized by an overlay of massively slowed/pitched down bat recordings from my back yard in Berlin for locality and its ambience.

I hope you'll enjoy and I'll post the complete tracklisting with links to artist sites afterwards, as always. Please follow @Biesentales for regular updates.

\#fediradio #biesentales #othermusic #extramusic @contemporaryMusic group @radicalmusic group @playercomposers group

Heather Stebbins piece "An Index of Fictions", composed for Yarn/Wire on Currents Vol. 9 is microtonal percussion layers versus tempered piano versus modular synth. That makes for quite an enticing journey for tuning tensions alone. Beautiful work & concentration.

https://yarnwire.bandcamp.com/track/heather-stebbins-an-index-of-fictions-2023 https://heatherstebbins.com/modular-bits

\#othermusic #extramusic #heatherstebbins @composers group @playercomposers group @contemporaryMusic group @modularsynth group

New album released today: "Porös" (German for porous) Temporarily serene solo percussion recordings from La Cambuse beach, Mauritius, early February 2024. No electronics. I hope you'll enjoy this.

https://jayrope.bandcamp.com/album/por-s

A #Faircamp release version will follow in the next days.

@playercomposers group @contemporaryMusic group @composers group @ExperimentalMusic group @avantgardemusic group #StandupTrackwriting

[!Cover design: Two superimposed pieces of porous coral surrounded by the color pink](https://hub.kliklak.net/photos/jrp/image/7d9b1010-a906-4628-ae5a-f181fd6e7f39)

[!Porös - instruments: Various pieces of found coral, a plastic bottle, a pink plastic heart, two aluminum can lids, degraded/corroded & bent, tango drum sticks, a small branch, driftwood (not in image), a field recorder, all on white coral sand, in the shade with a small rucksack, a ](https://hub.kliklak.net/photos/jrp/image/55bd7af1-4afd-4822-9643-b77fbf683771)

A very enjoyable sound installation work by John Eckhardt, working with underwater recordings from the Baltic Sea, can be found on https://johneckhardt.bandcamp.com/album/48k

\#othermusic #UnderwaterRecordings @radicalmusic group @composers group @playercomposers group @contemporaryMusic group @Contemporary Arts Group

Added Silver Apricot - Side Effects to my #Faircamp

https://fc.kliklak.net/side-effects/

3-piece art rock/noise rock band performing a live score for contemporary dance. This album is a one-off, we composed and played 4 productions at Theater Bremen with the in-house contemporary dance company in the last years in total. Enjoy.

@contemporaryMusic group @radicalmusic group

[!A metallic apricot before a sunny curtain background.](https://hub.kliklak.net/photos/jrp/image/19aed34e-5c9c-4997-a6d7-f8368baf8273)

Free music, #BandcampFriday

loading, lift and move:: 1 and Two \- https://dasandereselbst.bandcamp.com/album/1-and-two

loading, lift and move are Michael Thieke on clarinet and Maximilian Glass on electronics. Clarinet and "feedback produced by electronics and resonating objects mutually dissolve while clarifying each other. Both Thieke and Glass manoeuvre a funambulist score, empirical as well as improvised, seeking a symmetry where a dynamic equilibrium leads to a static one."

(Free as in: free from conventions)

\#freemusic #avantgardemusic @contemporaryMusic group

Help Lyle out of hell (the creator of India Music Archive becoming old and poor).

<img alt="7:4" src="https://hub.kliklak.net/photo/bc3bad86-9b97-441a-8e31-af7d0fc3d37a-6" height="32" width="32" />7:4 wrote the following post Fri, 26 Jan 2024 12:17:46 +0100

help Lyle:

"Hello, My name is Lyle Wachovsky - I am a photographer - and some of you might know me as the creator of India Archive Music - for 35 years I've promoted Indian Classical Music..."

https://www.gofundme.com/f/help-lyle-who-is-about-to-lose-everything

@contemporaryMusic group @radicalmusic group

Recording palms in the wind at 176KHz 24bit, ir order to drastically pitch them down later and then use the slowed down transients for #percussion works. Soothing already, few flute-sounding birds calling along.. #mauritius @contemporaryMusic group

[!20240130_152712.jpg](https://hub.kliklak.net/photos/jrp/image/92e8b272-ce56-4a6c-9ad7-e827acf01a29) @Contemporary Arts Group

I have a new release on 12", perfect of course for your elevated holidays.

<img alt="▁jayrope (lurking)" src="https://hub.kliklak.net/photo/84d056f1-49e5-4dcf-9a20-fe9ae218baa0-6" height="32" width="32" />▁jayrope (lurking) wrote the following post Thu, 14 Dec 2023 20:10:19 +0100

Released on 12" via Fluessig Records, Berlin: Wichtige Hinweise, composed and played on modular snyths by nkls and myself between 2019 and 2023.

https://fluessig.bandcamp.com/album/wichtige-hinweise

The album illustrates an ongoing lifeform-type-of conversation nkls and i have since several years about miniatures. It's as brief and as pure as it can get, the pieces are transmutational and work without any additional deliberate listener pleasing (such as concert reverb ;) Cover artwork by @[url=https://mastodon.online/@suetszu]Suetszu[/url]

We hope you'll enjoy.

Berliners can pick up a 12" with me directly for a pre-xmas price of 15€. Please contact via @\_jayrope or jayrope.com/cntct/

Your #share/#boost is appreciated.

@[url=https://a.gup.pe/u/contemporarymusic]contemporaryMusic group[/url] @[url=https://a.gup.pe/u/electronicmusic]electronicmusic group[/url] @[url=https://a.gup.pe/u/synths]Synths group[/url]

\#extramusic #modularmusic #avantgarde @[url=https://a.gup.pe/u/radicalmusic]radicalmusic group[/url]

Very happy to announce "Wichtige Hinweise", a 12" composed and played with dedication by NKLS and myself. On Berlin's Fluessig Records, preorder here: https://fluessig.bandcamp.com/album/wichtige-hinweise With cover artwork by @Suetszu Please #share.

\#modularsynth #electronica @modularsynth group @modular group @electronicmusic group @Synths group @contemporaryMusic group #nkls #jayrope #FluessigRecords

Great fun: Csocsó's Tricycle. Quitze some electronic musical characters here, rarely synced in obvious ways, in 13 parts. The album comes across as absurd as it is elegant, complexity and depth, nerdiness and simplicity, while the mnaker remains in a half-secret space. Very lecker.

<img alt="Csocsó" src="https://hub.kliklak.net/photo/2ada9723-6d0b-4d08-8562-ac22098d60b6-6" height="32" width="32" />Csocsó wrote the following post Sun, 01 Oct 2023 18:06:42 +0200

!Image/photo Csocsó - Tricycle https://csocso.bandcamp.com/album/tricycle

a batch of recent patches \~ #micromodular #evolver #electronicmusic @synths

(Well suited for my "absurd dinner party" listening needs, and i am not saying it to disgrace this.)

\#extramusic @radicalmusic group @contemporaryMusic group

@Rafael Lozano-Hemmer has written a "Brief Chronology of Technological Culture in Mexico" mentioning Raúl Pavón Sarrelangue's (1928-2008) "Omnifón", a probably half-modular synth he built himself in 1964 in Mexico.

This article positively absurdly on Github, and a feast to read: https://github.com/antimodular/Brief-chronology-of-technological-culture-in-Mexico Original post on:

https://tldr.nettime.org/@errafael/110951801358216326

Pavón \#^https://es.wikipedia.org/wiki/Ra%C3%BAl\_Pav%C3%B3n\_Sarrelangue (en Español) appears on "Música Electroacústica Mexicana", a compilation from 1984, with a piece "Fantasía Cósmica". You may find that on #Soulseek, if not anywhere else. The following article \#^https://rupkatha.com/electroacoustic-music-mexico/ provides even more background, especially on electroacoustic music in Mexico.

If anyone is aware of any more released pieces composed/played with the Omnifón I'd be happy about a hint.

@Synths group @contemporaryMusic group @radicalmusic group @modularsynth group #othermusic #extramusic @diy\_instruments group

From the Golden Times of Repetition: Robert Ashley's "She Was A Visitor" (1967) - https://robert-ashley.bandcamp.com/track/she-was-a-visitor-1967

also part of my current @Biesentales # 69 broadcast to be found here:

Open Audio (federated) https://open.audio/library/tracks/398379/

Mixcloud (CW user tracking) https://www.mixcloud.com/CashmereRadio/biesentales-69-sommerloch-w-jayrope-26072023/

@contemporaryMusic group #contemporarycomposer @radicalmusic group #extramusic

[!robert ashley automatic writing cover](https://hub.kliklak.net/photos/jrp/image/ba834f12-c220-4d8a-bd90-37c361cad694)

Released at 321 ppm, David Tudor's Bandoneon https://inv.citw.lgbt/watch?v=DR70wfEyYro His works should long be mainstream by now. But they seem to rather tend to be forgotten, let aside some specialist circles. What can we do more today, against #numbification and #dumbification?

\#davidtudor #robertrauschenberg @Contemporary Arts Group @contemporaryMusic group

Michèle Bokanowski's art is one of densities, much like the density of a given colour, a given depth. https://recollectiongrm.bandcamp.com/album/rhapsodia-battements-solaires-2

@radicalmusic group #extramusic #musiqueconcrete #ContemporaryMusic @contemporaryMusic group